Eudora Weltys The Ponder Heart as Dramatic Monologue :: Eudora Welty The Ponder Heart

Eudora Weltys The conjecture Heart as Dramatic monologueDramatic Monologue, Edna is defined as the filter through which we see everything.What we commonly telephone point of view-- is the nexus of our interpretation of thenovels characters, events, and thematic significance(Nissen 1, tenseness added).According to Nissen Weltys narrators are often ignored or misconstrued by critics.In The Ponder Heart, Edna Earle is an exemplary storyteller at her best and at herworst defined by critics as bossy, narrow-minded and dumb (Nissen 2, idiomadded). Edna Earle fits none of these negative lashes. She is a Southern woman whocares for her family and community and tries to puke them in their best light for heraudience. The form of dramatic monologue has want been a way for authors to come aparttheir audience an inside view by allowing us to be voyeurs we are not part of the story,but exactly folks who are highly by the actions at hand. With this genre sheet already inplace, we supply to our reading certain expectations. In a sense, we never read a storyfor the first time we bring into our reading the expectations that previous encounterswith the genre have created (Nissen 2).Nissen sees Edna Earle as putting herself punt in the line of splendor to thestory she tells with Grandpa Ponder and Uncle Daniel as the primary forces that shapeher narrative. She sacrifices her own needs in order to carry those of Grandpa and UncleDaniel. That she has been taken for granted must be painfully undefendable to the narrator aswell as her audience (Nissen 9). In this way, she arouses savvy from her audiencemuch in the same way as if we were passing by her on the street while she told her story to a friend. We look her, but are not free to help her. We are strangers in herworld and cannot affect the outcome of her circumstances.In closing, Nissen rewrites the end to reflect the importance of Edna Earles voice asnarrator. Id like to warn you again, Edna Earle may try to gi ve you something--maythink shes got something to give. If she does, do me a favor. Make out like you conveyit. Tell her thank you (Nissen 9).I agreed with Nissens article, but believe he could have stated his points moreconcisely. This article was long for the amount he really had to say. There is clearly noarguing the point that The Ponder Heartis a monologue, yet he spends three pages